Salvatore Arancio

(Catania, 1974) investigates the potential of images through ceramics, engraving, collage, animation and video. Each aspect of his practice revolves around the theme of representation and explores the origins of images –natural and artificial, mineral and vegetable, scientific and mythological – aiming to create a sort of atlas of confusion. His works have been exhibited in international institutions and exhibitions, including: La Biennale di Venezia (2017); MO.CO, Montpellier, (2022); MAXXI, L'Aquila (2021); Museo del Novecento, Florence (2019); Bardo National Museum, Tunis (2019); Foundacion Arte, Buenos Aires (2016); BI- CITY Biennale of Urbanism/Architecture, Shenzen (2020); Hayward Gallery, London (2022); Manif D’Art 5, The Quebec City Biennal, Canada (2010); Prague Biennale 4 (2009); Whitechapel Gallery, London (2018); Kunsthalle Winterthur, Switzerland (2016); Museo Tamayo, Mexico (2013).